creative director: thomas biswanger
client: thonet (2025)
photographer: hartmut nägele
quotes: harald willenbrock
the art of reduction
aesthete of the great line
a space. a line. a decision. thomas biswanger makes it clear that elegance does not come from abundance, but from the courage to leave out the obvious. for him, minimalism is above all an attitude. not one style among many or a half-hearted renunciation, but a conscious concentration on the essentials. his way of working resembles his handwriting: subtle and full of verve. he sees what others easily overlook, senses what has not yet found form and connects people and projects.
whether fashion, business, politics or art: thomas biswanger creates identities without forcing himself into the foreground. his projects don't have to be loud to be heard. when he curates brands, thomas biswanger moves with the precision of an architect and the intuition of an artist. he doesn't design decals, he creates spaces of possibility. the brands he works with begin to breathe. to live.
fotograf: elias hassos
text: oliver herwig
conductor of details
thomas biswanger never sees design as a single discipline, but as the precisely coordinated interaction of great teams. he brings people together with a keen sense of talent, temperament and timing. a project only becomes something special through his arrangement. thomas biswanger knows how specialists can unfold their full potential: in the right mix. he himself is in the middle of things, taking care of the big picture as well as the smallest detail. he knows that perfection does not stop at typography or ki, but lies in smooth processes. he knows that perfection doesn't stop at typography or ki, but rather lies in smooth processes. that's why he doesn't shy away from organizing fine catering himself, obtaining quotes and pulling the invisible strings that turn a project into something that lasts beyond the day.
creative director thomas biswanger
an aesthete with pragmatism. a strategist with a down-to-earth attitude. an all-rounder among perfectionists who is only satisfied when everything is just right - from the first draft to the last espresso.
chicago good design award 2024 (classicon magazine)
nominee 2024 „gmund paper award“ (classicon magazine)
chicago good design award 2019 (Karl News 2019)
chicago good design award 2017 (classicon magazine 2017/18)
iF communication design award (berker W.1 launch campaign)
chicago good design award 2014 (berker blueprint B.11 / villa tugendhat)
chicago good design award 2014 (berker launch campaign generation R.)
german design award special mention 2015 (berker b.lueprint B.11)
architects‘ darling awards 2014 gold (berker b.lueprint B.11)
nominee 2015 „german design award“ (berker campaign generation R.)
deutscher preis shortlist 2014 (online-communication annual report 2012, hagergroup)
iF communication design award 2014 (berker campaign generation R.)
2012 good design award, chicago (designconsulting berker R.1/R.3/R.classic, touch sensor)
if communication design award 2013 (hager group annual report 2011 interactive)
reddot design award winner 2013 (designconsulting berker R.1/R.3/serie R.classic, touch sensor)
nominee 2013 „german design award“ (designconsulting berker R.3/R.classic)
special mention 2013 „german design award“ (designconsulting berker R.1)
iF gold award 2013 (designconsulting berker serie R.classic)
if production design awards 2013 (designconsulting berker R.1/R.3/R.classic/berker R1/R.3 touch sensor knx)
if communication design award 2010 (interface / berker comfort center 9‘‘)
nominée „designpreis der bundesrepublik deutschland 2010“ (berker bluebook, ad-campain rosenthal,
berker serie 1930 porcelain made by rosenthal, berker Q.1)
chicago good design award 2009 (berker serie 1930 porcelain made by rosenthal)
best of „2008 if communication design award“ (berker bluebook, advertising campain rosenthal)
designplus award 2008 (berker serie 1930 porcelain made by rosenthal, berker TS crystal ball
in cooperation with swarovski)
nominée „designpreis der bundesrepublik deutschland 2008“ (berker b.lueprint magazine)
best of „2006 if communication design award“ (berker b.lueprint magazine)
nominée „designpreis der bundesrepublik deutschland 2006“ (berker imagebook)
best of „2005 if communication design award“ (berker corporate communication)
winner of „2004 good design award“ from the chicago athenaeum and
best of „2004 if communication designaward“ (berker imagebook)
winner of „adam award 2002“ and nominée „adam award 2004“ (berker messestand light+building)
AD GERMANY
ARBONIA CLIMATE
BERKER
CLASSICON
CDU/CSU
DANIEL HEER
DOMOTEX
DURAVIT
DAS KARL
FREIHERR VON POSCHINGER
GERLINDE KUSSTATSCHER LICHT
HAGER VERTRIEBSGESELLSCHAFT
HAGER GROUP
HW.DESIGN GMBH
HYUNDAI
KIA DESIGN
LECHNER MUSEUM
MONDI
OPES IMMOBILIEN GMBH
PETER SCHREYER
PETER UND LUISE HAGER STIFTUNG
ROSENTHAL GMBH
THONET GMBH
creative director: thomas biswanger
client: ClassiCon (2024)
photographer: elias hassos
creative director: thomas biswanger
client: das Karl
film director: sven hoffmann
See full video here
CCC . creative comfort club
connecting extraordinary minds
some call it instinct, others experience. thomas biswanger combines both. those who work with him save a lot of time, effort and wrong decisions. his creative comfort club (CCC) brings together people who might otherwise never have met: clients with architects, interior and product designers, copywriters, artists, photographers, filmmakers and journalists. they are all united by a sense for the extraordinary.
thomas biswanger knows when a glance is enough and when it will take a whole day for the spark to ignite. he recognizes who is on fire for an idea and who can make it even better. his connections are like custom-made products. because a project doesn’t need just anyone, but exactly the right minds at the right time. and that's exactly who he knows. “connecting extraordinary minds” is more than just a claim. it is Biswanger's daily practice. CCC makes a promise: that creative minds get even better when the right ones meet. thomas biswanger makes sure that this is exactly what happens.
founder, curator und agent: thomas biswanger
courtesy of gisbert pöppler for his very comfortable baba armchair
photographer: ragnar schmuck
animation: jan heinemann
text: oliver herwig
creative director: thomas biswanger
client: duravit
film director/photographer: sven hoffmann
production: erste liebe film
location: st. peter ording, capetown
creativ director: thomas biswanger
client: berker schalter und systeme
fine art photographer: sam taylor-johnson (five revolutionary seconds XV)
creative director and product innovator: thomas biswanger
porcelain switches: rosenthal
in his latest project – a high-profile collaboration with designer jil sander for the traditional manufacturer thonet – all of thomas biswanger's design principles come together. above all, his passion for beautiful things, combined with his particular commitment to quality and a trusting collaboration on equal footing.
creative director: thomas biswanger
client: thonet (2025)
photographer: hartmut nägele
quotes: harald willenbrock
the art of reduction
aesthete of the great line
a space. a line. a decision. thomas biswanger makes it clear that elegance does not come from abundance, but from the courage to leave out the obvious. for him, minimalism is above all an attitude. not one style among many or a half-hearted renunciation, but a conscious concentration on the essentials. his way of working resembles his handwriting: subtle and full of verve. he sees what others easily overlook, senses what has not yet found form and connects people and projects.
whether fashion, business, politics or art: thomas biswanger creates identities without forcing himself into the foreground. his projects don't have to be loud to be heard. when he curates brands, thomas biswanger moves with the precision of an architect and the intuition of an artist. he doesn't design decals, he creates spaces of possibility. the brands he works with begin to breathe. to live.
fotograf: elias hassos
text: oliver herwig
conductor of details
thomas biswanger never sees design as a single discipline, but as the precisely coordinated interaction of great teams. he brings people together with a keen sense of talent, temperament and timing. a project only becomes something special through his arrangement. thomas biswanger knows how specialists can unfold their full potential: in the right mix. he himself is in the middle of things, taking care of the big picture as well as the smallest detail. he knows that perfection does not stop at typography or ki, but lies in smooth processes. he knows that perfection doesn't stop at typography or ki, but rather lies in smooth processes. that's why he doesn't shy away from organizing fine catering himself, obtaining quotes and pulling the invisible strings that turn a project into something that lasts beyond the day.
creative director thomas biswanger
an aesthete with pragmatism. a strategist with a down-to-earth attitude. an all-rounder among perfectionists who is only satisfied when everything is just right - from the first draft to the last espresso.
chicago good design award 2024 (classicon magazine)
nominee 2024 „gmund paper award“ (classicon magazine)
chicago good design award 2019 (Karl News 2019)
chicago good design award 2017 (classicon magazine 2017/18)
iF communication design award (berker W.1 launch campaign)
chicago good design award 2014 (berker blueprint B.11 / villa tugendhat)
chicago good design award 2014 (berker launch campaign generation R.)
german design award special mention 2015 (berker b.lueprint B.11)
architects‘ darling awards 2014 gold (berker b.lueprint B.11)
nominee 2015 „german design award“ (berker campaign generation R.)
deutscher preis shortlist 2014 (online-communication annual report 2012, hagergroup)
iF communication design award 2014 (berker campaign generation R.)
2012 good design award, chicago (designconsulting berker R.1/R.3/R.classic, touch sensor)
if communication design award 2013 (hager group annual report 2011 interactive)
reddot design award winner 2013 (designconsulting berker R.1/R.3/serie R.classic, touch sensor)
nominee 2013 „german design award“ (designconsulting berker R.3/R.classic)
special mention 2013 „german design award“ (designconsulting berker R.1)
iF gold award 2013 (designconsulting berker serie R.classic)
if production design awards 2013 (designconsulting berker R.1/R.3/R.classic/berker R1/R.3 touch sensor knx)
if communication design award 2010 (interface / berker comfort center 9‘‘)
nominée „designpreis der bundesrepublik deutschland 2010“ (berker bluebook, ad-campain rosenthal,
berker serie 1930 porcelain made by rosenthal, berker Q.1)
chicago good design award 2009 (berker serie 1930 porcelain made by rosenthal)
best of „2008 if communication design award“ (berker bluebook, advertising campain rosenthal)
designplus award 2008 (berker serie 1930 porcelain made by rosenthal, berker TS crystal ball
in cooperation with swarovski)
nominée „designpreis der bundesrepublik deutschland 2008“ (berker b.lueprint magazine)
best of „2006 if communication design award“ (berker b.lueprint magazine)
nominée „designpreis der bundesrepublik deutschland 2006“ (berker imagebook)
best of „2005 if communication design award“ (berker corporate communication)
winner of „2004 good design award“ from the chicago athenaeum and
best of „2004 if communication designaward“ (berker imagebook)
winner of „adam award 2002“ and nominée „adam award 2004“ (berker messestand light+building)
AD GERMANY
ARBONIA CLIMATE
BERKER
CLASSICON
CDU/CSU
DANIEL HEER
DOMOTEX
DURAVIT
DAS KARL
FREIHERR VON POSCHINGER
GERLINDE KUSSTATSCHER LICHT
HAGER VERTRIEBSGESELLSCHAFT
HAGER GROUP
HW.DESIGN GMBH
HYUNDAI
KIA DESIGN
LECHNER MUSEUM
MONDI
OPES IMMOBILIEN GMBH
PETER SCHREYER
PETER UND LUISE HAGER STIFTUNG
ROSENTHAL GMBH
THONET GMBH
creative director: thomas biswanger
client: ClassiCon (2024)
photographer: elias hassos
creative director: thomas biswanger
client: das Karl
film director: sven hoffmann
See full video here
CCC . creative comfort club
connecting extraordinary minds
some call it instinct, others experience. thomas biswanger combines both. those who work with him save a lot of time, effort and wrong decisions. his creative comfort club (CCC) brings together people who might otherwise never have met: clients with architects, interior and product designers, copywriters, artists, photographers, filmmakers and journalists. they are all united by a sense for the extraordinary.
thomas biswanger knows when a glance is enough and when it will take a whole day for the spark to ignite. he recognizes who is on fire for an idea and who can make it even better. his connections are like custom-made products. because a project doesn’t need just anyone, but exactly the right minds at the right time. and that's exactly who he knows. “connecting extraordinary minds” is more than just a claim. it is Biswanger's daily practice. CCC makes a promise: that creative minds get even better when the right ones meet. thomas biswanger makes sure that this is exactly what happens.
founder, curator und agent: thomas biswanger
courtesy of gisbert pöppler for his very comfortable baba armchair
photographer: ragnar schmuck
animation: jan heinemann
text: oliver herwig
creative director: thomas biswanger
client: duravit
film director/photographer: sven hoffmann
production: erste liebe film
location: st. peter ording, capetown
creativ director: thomas biswanger
client: berker schalter und systeme
fine art photographer: sam taylor-johnson (five revolutionary seconds XV)
creative director and product innovator: thomas biswanger
porcelain switches: rosenthal
in his latest project – a high-profile collaboration with designer jil sander for the traditional manufacturer thonet – all of thomas biswanger's design principles come together. above all, his passion for beautiful things, combined with his particular commitment to quality and a trusting collaboration on equal footing.
creative director: thomas biswanger
client: thonet (2025)
photographer: hartmut nägele
quotes: harald willenbrock
the art of reduction
aesthete of the great line
a space. a line. a decision. thomas biswanger makes it clear that elegance does not come from abundance, but from the courage to leave out the obvious. for him, minimalism is above all an attitude. not one style among many or a half-hearted renunciation, but a conscious concentration on the essentials. his way of working resembles his handwriting: subtle and full of verve. he sees what others easily overlook, senses what has not yet found form and connects people and projects.
whether fashion, business, politics or art: thomas biswanger creates identities without forcing himself into the foreground. his projects don't have to be loud to be heard. when he curates brands, thomas biswanger moves with the precision of an architect and the intuition of an artist. he doesn't design decals, he creates spaces of possibility. the brands he works with begin to breathe. to live.
fotograf: elias hassos
text: oliver herwig
conductor of details
thomas biswanger never sees design as a single discipline, but as the precisely coordinated interaction of great teams. he brings people together with a keen sense of talent, temperament and timing. a project only becomes something special through his arrangement. thomas biswanger knows how specialists can unfold their full potential: in the right mix. he himself is in the middle of things, taking care of the big picture as well as the smallest detail. he knows that perfection does not stop at typography or ki, but lies in smooth processes. he knows that perfection doesn't stop at typography or ki, but rather lies in smooth processes. that's why he doesn't shy away from organizing fine catering himself, obtaining quotes and pulling the invisible strings that turn a project into something that lasts beyond the day.
creative director thomas biswanger
an aesthete with pragmatism. a strategist with a down-to-earth attitude. an all-rounder among perfectionists who is only satisfied when everything is just right - from the first draft to the last espresso.
chicago good design award 2024 (classicon magazine)
nominee 2024 „gmund paper award“ (classicon magazine)
chicago good design award 2019 (Karl News 2019)
chicago good design award 2017 (classicon magazine 2017/18)
iF communication design award (berker W.1 launch campaign)
chicago good design award 2014 (berker blueprint B.11 / villa tugendhat)
chicago good design award 2014 (berker launch campaign generation R.)
german design award special mention 2015 (berker b.lueprint B.11)
architects‘ darling awards 2014 gold (berker b.lueprint B.11)
nominee 2015 „german design award“ (berker campaign generation R.)
deutscher preis shortlist 2014 (online-communication annual report 2012, hagergroup)
iF communication design award 2014 (berker campaign generation R.)
2012 good design award, chicago (designconsulting berker R.1/R.3/R.classic, touch sensor)
if communication design award 2013 (hager group annual report 2011 interactive)
reddot design award winner 2013 (designconsulting berker R.1/R.3/serie R.classic, touch sensor)
nominee 2013 „german design award“ (designconsulting berker R.3/R.classic)
special mention 2013 „german design award“ (designconsulting berker R.1)
iF gold award 2013 (designconsulting berker serie R.classic)
if production design awards 2013 (designconsulting berker R.1/R.3/R.classic/berker R1/R.3 touch sensor knx)
if communication design award 2010 (interface / berker comfort center 9‘‘)
nominée „designpreis der bundesrepublik deutschland 2010“ (berker bluebook, ad-campain rosenthal,
berker serie 1930 porcelain made by rosenthal, berker Q.1)
chicago good design award 2009 (berker serie 1930 porcelain made by rosenthal)
best of „2008 if communication design award“ (berker bluebook, advertising campain rosenthal)
designplus award 2008 (berker serie 1930 porcelain made by rosenthal, berker TS crystal ball
in cooperation with swarovski)
nominée „designpreis der bundesrepublik deutschland 2008“ (berker b.lueprint magazine)
best of „2006 if communication design award“ (berker b.lueprint magazine)
nominée „designpreis der bundesrepublik deutschland 2006“ (berker imagebook)
best of „2005 if communication design award“ (berker corporate communication)
winner of „2004 good design award“ from the chicago athenaeum and
best of „2004 if communication designaward“ (berker imagebook)
winner of „adam award 2002“ and nominée „adam award 2004“ (berker messestand light+building)
AD GERMANY
ARBONIA CLIMATE
BERKER
CLASSICON
CDU/CSU
DANIEL HEER
DOMOTEX
DURAVIT
DAS KARL
FREIHERR VON POSCHINGER
GERLINDE KUSSTATSCHER LICHT
HAGER VERTRIEBSGESELLSCHAFT
HAGER GROUP
HW.DESIGN GMBH
HYUNDAI
KIA DESIGN
LECHNER MUSEUM
MONDI
OPES IMMOBILIEN GMBH
PETER SCHREYER
PETER UND LUISE HAGER STIFTUNG
ROSENTHAL GMBH
THONET GMBH
creative director: thomas biswanger
client: ClassiCon (2024)
photographer: elias hassos
creative director: thomas biswanger
client: das Karl
film director: sven hoffmann
See full video here
CCC . creative comfort club
connecting extraordinary minds
some call it instinct, others experience. thomas biswanger combines both. those who work with him save a lot of time, effort and wrong decisions. his creative comfort club (CCC) brings together people who might otherwise never have met: clients with architects, interior and product designers, copywriters, artists, photographers, filmmakers and journalists. they are all united by a sense for the extraordinary.
thomas biswanger knows when a glance is enough and when it will take a whole day for the spark to ignite. he recognizes who is on fire for an idea and who can make it even better. his connections are like custom-made products. because a project doesn’t need just anyone, but exactly the right minds at the right time. and that's exactly who he knows. “connecting extraordinary minds” is more than just a claim. it is Biswanger's daily practice. CCC makes a promise: that creative minds get even better when the right ones meet. thomas biswanger makes sure that this is exactly what happens.
founder, curator und agent: thomas biswanger
courtesy of gisbert pöppler for his very comfortable baba armchair
photographer: ragnar schmuck
animation: jan heinemann
text: oliver herwig
creative director: thomas biswanger
client: duravit
film director/photographer: sven hoffmann
production: erste liebe film
location: st. peter ording, capetown
creativ director: thomas biswanger
client: berker schalter und systeme
fine art photographer: sam taylor-johnson (five revolutionary seconds XV)
creative director and product innovator: thomas biswanger
porcelain switches: rosenthal
in his latest project – a high-profile collaboration with designer jil sander for the traditional manufacturer thonet – all of thomas biswanger's design principles come together. above all, his passion for beautiful things, combined with his particular commitment to quality and a trusting collaboration on equal footing.
creative director: thomas biswanger
client: thonet (2025)
photographer: hartmut nägele
quotes: harald willenbrock
the art of reduction
aesthete of the great line
a space. a line. a decision. thomas biswanger makes it clear that elegance does not come from abundance, but from the courage to leave out the obvious. for him, minimalism is above all an attitude. not one style among many or a half-hearted renunciation, but a conscious concentration on the essentials. his way of working resembles his handwriting: subtle and full of verve. he sees what others easily overlook, senses what has not yet found form and connects people and projects.
whether fashion, business, politics or art: thomas biswanger creates identities without forcing himself into the foreground. his projects don't have to be loud to be heard. when he curates brands, thomas biswanger moves with the precision of an architect and the intuition of an artist. he doesn't design decals, he creates spaces of possibility. the brands he works with begin to breathe. to live.
fotograf: elias hassos
text: oliver herwig
conductor of details
thomas biswanger never sees design as a single discipline, but as the precisely coordinated interaction of great teams. he brings people together with a keen sense of talent, temperament and timing. a project only becomes something special through his arrangement. thomas biswanger knows how specialists can unfold their full potential: in the right mix. he himself is in the middle of things, taking care of the big picture as well as the smallest detail. he knows that perfection does not stop at typography or ki, but lies in smooth processes. he knows that perfection doesn't stop at typography or ki, but rather lies in smooth processes. that's why he doesn't shy away from organizing fine catering himself, obtaining quotes and pulling the invisible strings that turn a project into something that lasts beyond the day.
creative director thomas biswanger
an aesthete with pragmatism. a strategist with a down-to-earth attitude. an all-rounder among perfectionists who is only satisfied when everything is just right - from the first draft to the last espresso.
chicago good design award 2024 (classicon magazine)
nominee 2024 „gmund paper award“ (classicon magazine)
chicago good design award 2019 (Karl News 2019)
chicago good design award 2017 (classicon magazine 2017/18)
iF communication design award (berker W.1 launch campaign)
chicago good design award 2014 (berker blueprint B.11 / villa tugendhat)
chicago good design award 2014 (berker launch campaign generation R.)
german design award special mention 2015 (berker b.lueprint B.11)
architects‘ darling awards 2014 gold (berker b.lueprint B.11)
nominee 2015 „german design award“ (berker campaign generation R.)
deutscher preis shortlist 2014 (online-communication annual report 2012, hagergroup)
iF communication design award 2014 (berker campaign generation R.)
2012 good design award, chicago (designconsulting berker R.1/R.3/R.classic, touch sensor)
if communication design award 2013 (hager group annual report 2011 interactive)
reddot design award winner 2013 (designconsulting berker R.1/R.3/serie R.classic, touch sensor)
nominee 2013 „german design award“ (designconsulting berker R.3/R.classic)
special mention 2013 „german design award“ (designconsulting berker R.1)
iF gold award 2013 (designconsulting berker serie R.classic)
if production design awards 2013 (designconsulting berker R.1/R.3/R.classic/berker R1/R.3 touch sensor knx)
if communication design award 2010 (interface / berker comfort center 9‘‘)
nominée „designpreis der bundesrepublik deutschland 2010“ (berker bluebook, ad-campain rosenthal,
berker serie 1930 porcelain made by rosenthal, berker Q.1)
chicago good design award 2009 (berker serie 1930 porcelain made by rosenthal)
best of „2008 if communication design award“ (berker bluebook, advertising campain rosenthal)
designplus award 2008 (berker serie 1930 porcelain made by rosenthal, berker TS crystal ball
in cooperation with swarovski)
nominée „designpreis der bundesrepublik deutschland 2008“ (berker b.lueprint magazine)
best of „2006 if communication design award“ (berker b.lueprint magazine)
nominée „designpreis der bundesrepublik deutschland 2006“ (berker imagebook)
best of „2005 if communication design award“ (berker corporate communication)
winner of „2004 good design award“ from the chicago athenaeum and
best of „2004 if communication designaward“ (berker imagebook)
winner of „adam award 2002“ and nominée „adam award 2004“ (berker messestand light+building)
AD GERMANY
ARBONIA CLIMATE
BERKER
CLASSICON
CDU/CSU
DANIEL HEER
DOMOTEX
DURAVIT
DAS KARL
FREIHERR VON POSCHINGER
GERLINDE KUSSTATSCHER LICHT
HAGER VERTRIEBSGESELLSCHAFT
HAGER GROUP
HW.DESIGN GMBH
HYUNDAI
KIA DESIGN
LECHNER MUSEUM
MONDI
OPES IMMOBILIEN GMBH
PETER SCHREYER
PETER UND LUISE HAGER STIFTUNG
ROSENTHAL GMBH
THONET GMBH
creative director: thomas biswanger
client: ClassiCon (2024)
photographer: elias hassos
creative director: thomas biswanger
client: das Karl
film director: sven hoffmann
See full video here
CCC . creative comfort club
connecting extraordinary minds
some call it instinct, others experience. thomas biswanger combines both. those who work with him save a lot of time, effort and wrong decisions. his creative comfort club (CCC) brings together people who might otherwise never have met: clients with architects, interior and product designers, copywriters, artists, photographers, filmmakers and journalists. they are all united by a sense for the extraordinary.
thomas biswanger knows when a glance is enough and when it will take a whole day for the spark to ignite. he recognizes who is on fire for an idea and who can make it even better. his connections are like custom-made products. because a project doesn’t need just anyone, but exactly the right minds at the right time. and that's exactly who he knows. “connecting extraordinary minds” is more than just a claim. it is Biswanger's daily practice. CCC makes a promise: that creative minds get even better when the right ones meet. thomas biswanger makes sure that this is exactly what happens.
founder, curator und agent: thomas biswanger
courtesy of gisbert pöppler for his very comfortable baba armchair
photographer: ragnar schmuck
animation: jan heinemann
text: oliver herwig
creative director: thomas biswanger
client: duravit
film director/photographer: sven hoffmann
production: erste liebe film
location: st. peter ording, capetown
creativ director: thomas biswanger
client: berker schalter und systeme
fine art photographer: sam taylor-johnson (five revolutionary seconds XV)
creative director and product innovator: thomas biswanger
porcelain switches: rosenthal
in his latest project – a high-profile collaboration with designer jil sander for the traditional manufacturer thonet – all of thomas biswanger's design principles come together. above all, his passion for beautiful things, combined with his particular commitment to quality and a trusting collaboration on equal footing.